
Yeah. I've been bad about keeping up with my blog since the semester started, and things continue to get more messed up in my non-musical life. As such I'm going on hiatus until the new year.
Keep warm. Dress well. Check back in January.
Cheers!

The festival encompasses all the things I love about Minneapolis. Art, fashion, drama, and of course, music. The schedule is impressive for a start-up festival and includes more than just locals. Headlights, a band I've been repeatedly impressed with (most recently passing through Minneapolis with the awesome Page France), is from a 'burb in Illinois. Brighton, MA and Lacona are from Chicago,IL, Dearling Physique is coming to brave the recent blast of cold from Phoenix,AZ, and Screamin' Cyn Cyn & the Pons, along with Pale Young Gentlemen, hail from my nemesis city of Madison, WI (really, any city in WI is my nemesis after living there for a year).
Lucky for all you Stook! lovers out there, Stook! has a new album out called "When The Needle Hits The Wax." It's a combination of good old school folk rock mixed with a country twang. It's a solid album and a good follow up to the first album, which you can't say of every band. Standout tracks like "Hennepin Avenue," "Diggin' On You," and "How Long We Gonna Dance?" make this one helluva enjoyable trip. Stook! sings from the heart and you can't have a Stook! album without a few heart wrenching lyrics. "Seasonal Affective Disorder" is one song I think everyone who lives in the land of winter can identify with, while "Sound of Lies" chronicles the situation some people seem to find themselves in when dealing with members of the opposite sex. Overall it's an enjoyable album and it's spun through my CD player more than a few times in the short time I've had it. 











Fate intervened, however, and White Rabbits played an afterparty I was lucky enough to attend at Lollapalooza this past weekend. I think my jaw literally hit the floor after about 30 seconds of watching this band perform. There are two drum kits, two guitarists, a bassist and a keyboard wielding madman... of course, none of the members of White Rabbit seem tethered to any one instrument so maybe it's pointless to tell you what they do - it might be easier to tell you what they don't do... accordion? 











A few months ago a friend made me a mix CD which included the song "Teaspoon" by The Long Winters. It was instantly one of my favorites on the mix and I've since begun picking through some of their older albums, finding them quite delightful. 


A Night in the Box is another band I was introduced to at the Afternoon Records Anniversary Party this year. They trio played a few old-timey folk songs acoustically in-between sets at the party, but they really kicked into high gear and knocked me out when they went on for their full set. I didn't expect too much except for maybe a nice nap. Hey, I'd been at the Varsity since 3pm so cut me some slack. I was assuming it'd be me, getting too comfy in a chair, starting some head bobs. Instead I got slapped upside the head and told to hustle it on over to the stage.
It's an album for those times when you don't know what you want to listen to. But it's gotta be uplifing, then completely insane, then plummet you back to earth and throw you onto the chain gang, where you can sing along with your fellow prisoners. If that sounds like a good time, well then you've just found your new favorite band. 
This creates audience apathy, and it can be really sad. There's just no spark. Other times, I'm bored because the band is bored. You can just tell they're not enjoying themselves and it makes the whole experience of attending a live show disheartening. 











