Houses of the Holy: Andy Messerschmidt & Max Schollet

Andy Messerschmidt: Merry Krishnas at Fox Tax Gallery & Max Schollet: Journey to the Surface of the Earth at the MAEP Gallery at the Minneapolis Institute of Art.

“Matter matters.” –Carl Andre

The two sets of work could not be more different, the way an ornate golden reliquary is totally at odds with the bone fragment or wood chip it houses. The consideration of both can be a jarring experience and one full of questions as to the nature of worship, meditation, work and creation. So it is with two vastly different shows that inhabit the same conceptual space: Merry Krishnas by Andy Messerschmidt at Fox Tax Gallery and the work of Max Schollet in Journey to the Surface of the Earth at the MAEP Gallery at the Minneapolis Institute of Art.

Andy Messeschmidt produces large scale collage/paintings that incorporate doilies, cut stencils, magazine images and paper Christmas ornaments among other items. Occasionally jumping from the picture plane to the third dimension, the works are a measured explosion of color and pattern that are carefully balanced, symmetrical. Messerschmidt writes in his Artist Statement, “My goal is to stop the viewing at confounding confrontation, just sheer, unfamiliar, reverent confrontation- a grizzly on two legs in the middle of the trail.”

But the materials are recognizable and this is not confounding unfamiliarity, this is comfortable rearrangement. The titles are not reverent- It Freaked Out and Became a Jehovah’s Witness, The Meth-Heads Saw Their Lab Aflame as the Burning Bush of Ascensional Morphology and That’s All- these seem to be over-the-top, tongue-in-cheek, deliberately performative, a non sequitur one-liner. It is conceptual baroque on a five-and-dime scale. Messeschmidt goes on to say, “I am more interested in the deification of painting by objectifying reverence.” What is true about the pieces is that their layered intricacy do provide a titillating aesthetic experience, much like the Assume Vivid Astro Focus project is doing in the contemporary art scene. The difference is that Assume Vivid Astro Focus wholly embraces their surface play and silliness, whereas Messerschmidt’s uncomfortable relationship between his stated desire for reverence and the construct of the object is unresolved and undercut ground. The work pushes joyous wild mystic visions, abandon and worship, but pulls back into formal, static trope. The Abstract Expressionists that Messerschmidt notes as feeling kinship with in his artist statement (Fontana, Newman and Pollock) created art that never had an easy relationship with the viewer, and the challenge made people return to them for viewing and firther meaning. By contrast, the ready identifiability of the material and theatricality of Messerschmidt's work make for easy access that approaches a designed experience as opposed to organic reverence.

Max Schollet uses the least possible material in his work, and the objects are all everyday. That word’s connotation can be dismissive, but the everyday has been the subject of art from Vermeer’s serving girls to Duchamp’s urinal and beyond. Schollet work extends, quite literally, the object. Cub Food bags laid out in rows to pair up the black logo against the fleshy tones of the aged plastic, a single sheet of yellow legal paper cut to a single continuous line, a roll of masking tape unrolled into ox-bow bends, forming a snaking glyph on the gallery wall. Of Schollet’s production, critic Tamatha Sopinski Perlman writes in her catalogue essay that “Each repetitive action, each act of transformation makes the landscape of our everyday existence into a work of art.”

Unlike the excoriation that critic Michael Fried leveled against minimalism- that it was only activated by the presence of the viewer and therefore dependent upon a simple special relationship to function, Schollet inverts that criticism. Yes, there is an object that you would recognize, and yes, it has a spacial relationship to the viewer, but the object (and especially, as a quotidian object, the idea of the object) precedes the viewers presence and will continue past the viewer leaving. Schollet’s interventions set the stage for the transformative process that can be revisited by the viewer to changing ends. Schollet makes mendicant art, you can see the marks of construction repeated to an almost absurd breaking point- this is the process of mantra-recitation and koan study that push to Buddhist enlightenment and Shinto prayer. There is a reverence in using the thing as it is, but the austerity of it’s creation opens up the matter to the thing as it could be- furrows, bones, intestinal tracts, lotuses, cell diagrams, ideals, a change in perspective- that gives the work it’s pared down beauty.

Both shows could be expanded, and high promise is held in both. Mass can be experienced through the pageantry, robes, chants, incense, but also in silence, and reflection the direction of life. Whether the experience is catholic or liturgical, the matter is all in the viewing.

“Journey to the Surface of the Earth: Margaret Pezalla-Granlund and Max Schollet”
WHERE: Minneapolis Institute of Arts, 2400 Third Ave. S., Minneapolis 55404
WHEN: Nov. 14, 2008 – Jan. 4, 2009

“Merry Krishnas: Andy Messerschmidt”
WHERE: The Gallery at Fox Tax, 503 First Av. NE Minneapolis 55413
WHEN: Nov. 29, 2008 – Jan. 9, 2009

The Cherry on Top ...of 2008

No one really likes making "Top 10" lists, do they? I gave my team the option of making a list for 2008. Top 5, top 10, recommended, etc. and here's what we came up with. You'll notice there's not much overlap, and to me that's a good thing. We like variety. Hopefully you'll find something on these lists you haven't heard yet and can now go check out. It's not rocket science, and it doesn't count for much, but here are CakeIn15 staffer's top picks for the year that was (and is... for another 6 days anyway).

Staciaann

1.The Dodos, Visiter
Ridiculous trash can drums, excellent bleeding-finger guitars, and wonderful songs make this my top album of 2008. No matter how many times I put it on, I'm thrilled by the intricacies and emotion in this album.

2.Fleet Foxes, Fleet Foxes
Fabulous vocals that bring me back to groups like The Tolkens, Four Freshman, and Jan & Dean. An album any age can enjoy. Also a memorable live show with haunting reminders of the past.

3.Frightened Rabbit - Midnight Organ Fight
Continues my love of music from Scotland. Hell, I wrote about these guys back in June of 2007 here too. Since then they've only grown in their song-writing, and 2008 brought their best album yet. Well done boys.

4.Vampire Weekend, Vampire Weekend
You're lying if you say you don't like this album. It's summer wrapped up and rolled into a digital file.

5.Mates of State, Re-Arrange Us
Awesome harmonies from a husband and wife team who've only gotten better as they continue to create music. One of my favorite sing-a-long records of 2008.

6.Cloud Cult - Feel Good Ghosts (Tea-partying Through Tornadoes)
Fucking fantastic new stuff from one of my fav locals. Check out "Journey of the Featherless" or "Story of the Grandson of Jesus " if you don't believe me.

7.Caroline Smith & the Good Night Sleeps, Backyard Tent Set
My best new local music find this year. Old-timey without overdoing it. Every time I've played this at work, someone's picked up the album. No joke. Plus, her live show will pack them in and leave you sighing with pleasure.

8.Jeremy Messersmith - The Silver City
Messersmith again proves he's one of the better singer-songwriters out there. Put that together with super producer Dan Wilson, and you have one hell of an album about Minneapolis.

9.City On the Make - $1,000,000 EP
"Chicks on, chicks on, chicks on bikes" was my anthem for the summer as my girlfriends and I sang it repeatedly biking around the city. Lead poet Mike Massey is as fun to watch as he is to listen to, and with new bionic knees to keep him bouncing, I can't wait for the new material that's promised to come soon.

10.The Mountain Goats - Heretic Pride
Admittedly, John Darnelle has a voice that only a mother could love. Ok, that's not 100% true, but it's close. You either love him or hate him, but you can't touch Darnelle's dark lyrics mixed with lovely guitar rhythms and the driving force of his will.

*Side Note: While I would definitely put Bon Iver into my top 10, I owned the album in 2007, and so can't put it in without feeling strange about doing it. Justin, I love ya, but last year was your year. xo

Dan O.

1.Cloud Cult, Feel Good Ghosts (Tea-partying Through Tornadoes)
Having returned to this album again and again, it's the rare album that never grows old - it always feels like you're listening to it for the third time (the time when you finally decided that you really really liked it.)

2.Of Montreal, Skeletal Lamping
Of Montreal's new album (as I reviewed previously) continues to confound me at times, but I re-visit it almost weekly - It's ambition and scope place it in my Top 10 this year.

3.Vampire Weekend, Vampire Weekend
I wasn't actually sure if this album was released in 2008 - something made me feel as though it had been released earlier, but the back of the CD credits it as a 2008 release, so here it is! The buzz has faded, but it's still an entirely interesting album - reminds me a lot of Paul Simon's Graceland.

4.Grand Archives, The Grand Archives
What first brought me to this album was its Band of Horses side-project status, but it's much much more - One of the most consistent and enjoyable pop albums of the year.

5. R.E.M., Accelerate
As any R.E.M. fan will attest - thank god they're back to making relevant music. So long as it's R.E.M. and even half-way decent, it'll get on my top 10.

6.The Magnetic Fields, Distortion
I have heard murmurings that there are those who didn't enjoy this album, but I find it to be the most listenable Magnetic Fields album yet - made up of equal parts shimmery distortion and odd-shorn lyrics, it's a perfect summer album for a winter morning.

7.Liam Finn, I'll Be Lightning
Son of Neil Finn (Crowded House), Liam's debut album is a sort of Beatles hybrid that occasionally sounds like Elliott Smith. It's raw and pretty at the time. More importantly, I bought it eight months ago and still listen to it - rare longevity for a shot in the dark.

8.Sigur Ros, Med sud I eyrum vid spilum endalaust
Nothing different than before, but still - really frickin' pretty.

9.Dosh, Wolves and Wishes
Andrew Bird didn't release an album in 2008, so I'll toss the orchestral sound-pop tiara to the handsomely bearded Dosh, whose album is always good to wind down to after work with a beer.

10. Spiritualized, Songs in A & E
Written during and after a death-defying bout with pneumonia, this album is a great for late nights and headphones - makes you feel happy to be alive.

Alexa

The Gaslight Anthem - The '59 Sound
Chuck Ragan - Feast or Famine
I realize this came out in '07 but I didn't discover it until '08, have listened the sh*t out of it, so IT'S '08 FOR ME!
Langhorne Slim - Langhorne Slim
Parts & Labor - Receivers
Alejandro Escovedo - Real Animal

c.a.s.
(In no particular order)

TV on the Radio, Dear Science
Sonically, I still hold that Return to Cookie Mountain is a better disc, and if you think "Wolf Like Me" isn't dance track, then you're not trying hard enough. But Dear Science does for dance-pop what OK Computer did for rock and roll- inverted, electrified and re-invigorated it. Give it up for the band with the big ideas and the adventuresome spirit to follow. Live review here.

The Hold Steady, Stay Positive
We will, and we get jams that, even though they leave our fair state and Craig Finn's familiar stomping ground, just get bigger and more brash. "Lord I'm Discouraged" is "How a Resurrection Really Feels" told from the other guy's perspective, and that's a great way to grow up without losing your edge. Bonus points for dirty jokes and double necked guitars. Live review here.

City On the Make, $1,000,000 EP
It's easy to fall for chicks on bikes, as the grinding opening jam proved this summer. But it's even better when we get into the disc- it is a million bucks, one hundred percent, and when he wails "Poor Mike Massey's got eyes for your daughter" and Mischa Kegan tears the licks down behind him, it might as well be a lament for Savannah girls in their Nehi skirts walkin' walkin' walkin' down the block. Ain't they got no respect? Live review here.

Jeremy Messersmith, The Silver City
An exquisite journey through the the pop sounds of days of yore, deftly produced by Dan Wilson. It twinkles and shimmers, the starlight sharper for the darker underpinnings of Messersmith's razor-sharp storytelling. This is a great disc to give to people when they ask you where you live and what it's like. Interview here.

Johnny Flynn & The Sussex Wit, A Larum
An out-of-left field surprise for me that has become one of my most-listened-to discs this year. Comforting Irish vox, pop-folk with some rock heft and strings, writing that is both sharp, funny and poignant. From "The Wrote & the Writ": "They're taking pictures of the man from God/let's hope his cassock's clean./The burden of being a holy fellow/is your halo better gleam, better gleam." Kick up your heels and reel in your friends.

Kristoff Krane, This Will Work For Now
The earnestness, the fierce drive to make art work for the artists, to make it function, the need to make it and survive. This disc burns with it. Sometimes it over-extends, but it is always true to the artist as necessary creator- the disc runs from braggadocio to doubt and sincerity. And radio-friendly tunes like "Paul Still Loves His Daughter" and "Miracle" are the stuff of silver screen soundtracks. Review here.

Cecil Otter, Rebel Yellow
The poised counterpoint to Krane's manic spin, this disc is just-as-if-not-more dark, introspective and driven. In a banner year for Doomtree, Cecil's produced and written some of the most professional, honest and polished material. Plus, he played the Clapperclaw Festival. So he's the shit.

The Dodos, Visiter
From start to finish, this is one of those records that long-play vinyl was made for. The manic drumming that keeps the base shifting, bending folk guitars layered on top of eachother to make them San Francisco punk, the duo of Meric Long and Logan Kroeber work their asses off to make one of the fastest moving, most satisfyingly layered discs of the year. Live review here.

Fleet Foxes, Fleet Foxes
It is one of the continuing miracles of music that it always comes back around. Is it because of the moon, or the connection to orbiting planets? Or because sound is a wave, a sine and cosine along an axis that form perfect circles, whole, enveloping, harmonizing, sustaining circles? With the debut Sun Giant EP and the self-titled LP release in the same year, the Pacific Northwest bellows with beauty again.

Buena Vista Social Club, Buena Vista Social Club at Carnegie Hall
Nonesuch Records sent me back to my first concert with this disc, to a moment when the world opened up to pulsing sound, unstoppable rhythm and pure joy. I think that every other concert-going experience is measured by that yard-stick for me, and it's a tall order. When something measures up, it's worth it. These records and the concerts given by these performers this year (among others) have made it a great 2008. Thank you.

Plus: These Singles Rock
Esau Mwamwaya, "Tengazako"- I defy you not to dance, I defy you to not believe in the power of globalization.
Blitzen Trapper, "Furr"- Turns stock animal noises into proto-mythical creation stories, makes you sing along.
Vampire Weekend, "Cape Cod Kwassa Kwassa"- "Do you want to fuck/like I know you do?" I do.
Atmosphere, "You"- Performed on Letterman wearing an Obama shirt, mid-July. Bless.
Diplo, "Reckoner Remix"- Breaks it all apart, bends in Beirut, kicks it to the dancefloor. Thom Yorke should be proud.
Santogold, "L.E.S. Artistes"- Watch it, Santogold is out there and she is coming for your ass.
Plastic Chord, "Thang Goin' On"- A live staple put down for the groove-bustin' record.
Cloud Cult, "The Grandson of Jesus"- Because you could be one of those billion saviors.
Mates of State, "The Re-Arranger"- For you and your lover to mix it up and get down, indie-rock style.
The Black Keys, "Psychotic Girl"- Buzzing like the underwater universe of your broken head.
MGMT, "Time To Pretend"- Distills the hubris of youth to it's ebullient core.
Miles Benjamin Anthony Robinson, "Buriedfed"- He's said if he had had his success at 19 instead of at 25, he'd be dead. It's good to be alive.

And now for something completely different...

....the meaning of Christmas:

-Hey Kiefer, you're a pirate, man.
-That would explain everything.

Bless.

Elllvvviiissss!!!

Yesss!! Finally! My lengthy period of antsy-pants waiting will soon cease. Thank you, thank you Mr. Perkins. I am indebted to you for the happiness washing over me at this moment. Come by Minneapolis soon, won't you?

Songs to stream:
"Shampoo"
"Send My Fond Regards to Lonelyville"
"Doomsday" (the rollickin' way he performs it live).

Check out streams of NEW SONGS by Elvis Perkins here!!

**********
In other Rumorville news,Cin15 favs City on the Make are gonna be back in studio sooner rather than later. Gosh, lotsa good news today!

Merry Crunkmas Afterparties!

Yeah, 'tis the season to jolly and once the belts are loosened it makes it easier to shake the pants off. So in the interests of keeping your spirits high, here are some kick-ass shows to make you forget all about your family gatherings and get down with the get-downs.

Friday the 26th:
Minneapolis Kids Have More Fun presents Crunkmas 2008 at the Nomad World Pub
This was a hot mess of a sloppy dancefest last year (check it out here) and you should definitely hit it up for it's 2008 incarnation:
CITY ON THE MAKE
CRNKMNSTR
META
TAPE JAYS (oh damn)
and a very special BROWN MOSES reunion
$5 9pm 21+

Saturday the 27th:
MillCityScene.com presents Big Quarters, Kristoff Krane, Carnage, Hyder Ali, El Guante at 7th St Entry
To celebrate the release of their first official print edition, MillCityScene.com presents some of the top names in local hip-hop:
Big Quarters w/Benzilla
Kristoff Krane
Carnage the Executioner
Hyder Ali
El Guante and See More Perspective
and introducing Simply Us and the 2 Sides of We
$5 presale / $7 door 8pm 18+

Jenny Dalton at the Kitty Kat Club
Fresh off her 2nd full length Rusalka's Umbrella, Jenny is joined by some of her good friends at the Kitty Kat Club, for a show that promises to be a beautiful way to lounge around and let your cares get soaked up in lush melodies.
Jenny Dalton
Luke Redfield
James Apollo
Free 10pm 21+

Dosh at the Cedar Cultural Center
An ambient night of creativity that should send sparks shooting off the eardrums and open up giant hallucinogenic portals into textured lightshows climbing up your leg and rubbing underneath the chin and.....sorry, carried away. The noise is good.
Dosh
Dark Dark Dark
DJ Odd Nosdam
$12 presale / $15 door 8pm AA

Yeah. DOOOOOOOOIT. Merry Fuckin' Xmas, kids.

I'm Hopeful

2008 may be marked to go down in history for many reasons, but let's not forget those important in the local music world. One such event to remember is the release of "Now Playing at the One-Seat Theatre" by pop favorites The Hopefuls. Their last album, "The Fuses Refuse to Burn" spun relentlessly in my car and home CD players for months on end. You could see me anytime on the street humming to "Pretty Bigmouth" or "Holiday." I couldn't help it. It was my crack.

This new album merges old with new, as long-time audience favorites like "On the Edge" and "Idaho" finally become imprinted in a physical format. We can take it home with us instead of just trying to hum the tunes in our heads. New songs like "Virgin Wood" and "Stacey" (yeah, they must've misspelled it... what's with the 'e' guys?) will also give you an earworm you might not be able to get rid of. I can tell you though that the band is already working on album number three, so the wait can't be nearly as painful and long as the last.
You'll get your chance to see The Hopefuls this Saturday (hey, that's tomorrow!) at First Avenue for the band's CD release show. Doors are at 6pm and One for the Team and Chris Koza open. You can pick up tickets at The Electric Fetus or the door. See you there! Oh, and for those who wonder, I have it on good authority that Rupert will be hanging out too.

This week in the economy...

...is not so good. The fallout from Bernie Madoff ponzi scheme is projected at about a $300 million hit to the Twin Cities. A lot of that hit goes to businesses and individual investors, but charities, non-profits and aid organizations are going to take it on the chin. The belt that was tightening is going to need a couple new holes to cinch in.

Intermedia Arts is the latest arts organization taking a big hit. This the 30-year old organization whose graffiti covered building on 28th and Lyndale is unmistakable. They put on the B-Girl Be Festival, the Naked Stages Performance Series and some of the most community involved arts and performance events in the Twin Cities. Now, much of their operational budget has dried up or been delayed, and like so many precarious but vital small-arts organization, they simply don't have the capital to sustain though. They will be shuttering the gallery and poetry library effective January 9th, moving staff to hourly and contract work. But they are fighting back, and need your help. From the Intermedia Arts website:

"Intermedia Arts can survive this economy. We can even come out on the other side stronger and more sustainable than ever before. But in order to do that, we need you to take action now—today.

This is what we need you to do:

1. RSVP now. We need you here at Intermedia Arts’ Community Townhall: Rally the People! at 5:30PM on Friday, December 19th. We are asking you to make it a priority to be here, in person. You will hear from artists, community leaders, Intermedia Arts’ staff and board. You will have a chance to ask questions and offer suggestions. You will find out what you can do to keep Intermedia Arts alive. We need to see you here: show your support by showing up. Free childcare available! RSVP right now!

2. Make a donation. Supporting Intermedia Arts is critical right now, and every dollar counts. We need your support to help us with our general operating expenses as we implement our plan for long-term sustainability. This isn’t about keeping Intermedia Arts open for another month; this is about keeping Intermedia Arts in our community for the long-term. Right now, that future depends on you. We need you to make a donation today.

3. Email us. We need to hear from you. We need to hear your encouragement, your ideas, your commitment of support, your suggestions and feelings. Send us your questions, tell us what you think, and look to our website for updates, responses, community FAQs and news each and every step of the way.

4. Rent our space for your next performance, event, meeting or exhibition. Our building is a valuable asset to the arts community and we want it to continue to stay active and alive.

Now is time for each and every one of us to draw on our passion and our conviction, and play our part. This is a rallying cry. Together, we will meet this challenge and lead our community forward. Because Intermedia Arts matters. Because your voice matters. Because Intermedia Arts is YOU."

Amen.